Bohemian Glass Art and the Art Nouveau Trend
Bohemian Glass Art and the Art Nouveau philosophical art drive were truly attached. Early forerunners like Alphonse Mucha set the look and intensely impacted both art and art glass. With enthusiasm, decadence and a 'dance the Charleston til sunrise' way of thinking, this was an age of excessiveness before the Great Depression.
Individuals would dance on gaming tables and quaff bubbly and the glass art soaked up this slightly debauched fashion with gold foil and iridescent flower glass.
Designers and artists alike, embraced the new look and ran with it. Gaudi, Gustav Klimt, and glass art artists Louis Comfort Tiffany and René Lalique all motivated and were in turn impacted by the Art Nouveau drive.
Bohemian Glass Art was no exemption. The Bohemian Glass Art urns that were made at the turn of the 20th Century were heavily impacted by the drive.
The direction was really holistic and natural and themes of blooms are ever present. This down-to-earth style was covered with a beaded colourful style which helped establish it solidly apart from the simplistic functionality of the arts and crafts drive.
Bohemian vases back then were imbued with the look. These items of Bohemian Glass are easy to recognize as they fit into a familiar pattern. The Bohemia Glass Art is curvy and is decorated with leaves and flowers and often comes with an iridescent finish.
Some of the engraved items of Bohemian Crystal were similar with lifelike themes of leaves and flowers but in addition with a gold leaf rim or foot to bridge the two major parts of the Art Nouveau style.
It was as if the elegance of the bouquets was not adequate to gratify and the art had to have an cover of gold and jewels that Shah Jahan would have been happy with.
The Bohemian Art Nouveau Glass Art initiative was based around glass makers like Loetz, Kralik, Moser and Pallme-König. Their Bohemian Glass making at the time fits into the stereotypical Art Nouveau direction. The Bohemian Glass vases were oily iridescent and organically styled. The rims of Bohemian vases were curled up like leaves and the layouts were organic and asymmetrical.
The glass art art of the era had a comfortable look to it and colours of silver, green and oily bluish mauve were drizzled with other colours or combed in a lackadaisical way that summarized the laissez-faire mindset of the time period.
With the arrival in 1929 of the Great Depression all things become different. Out went the degeneracy and sparkling beauty of the Art Nouveau and the art world was introduced to the mechanical worship of the Art Deco initiative with tidy lines and a far more ordered design presentation.
Bohemian Glass and the Bohemian glass vases were now more correctly termed Czech Glass and the World moved to the age of the machine and so Art Deco picked up the mantel where Art Nouveau had left.